DSpace Coleção:http://repositorio.unifap.br:80/jspui/handle/123456789/552024-02-29T03:21:31Z2024-02-29T03:21:31ZArqueologia e História: um diálogo interdisciplinar para o ensino de história do Amapáhttp://repositorio.unifap.br:80/jspui/handle/123456789/15852024-02-05T13:01:40Z2023-01-01T00:00:00ZTítulo: Arqueologia e História: um diálogo interdisciplinar para o ensino de história do Amapá2023-01-01T00:00:00ZSeu Polícia, deixa eu tocar: o rock n’ roll macapaense na década perdida (1980-1985)http://repositorio.unifap.br:80/jspui/handle/123456789/7762022-06-20T12:18:14Z0017-07-13T00:00:00ZTítulo: Seu Polícia, deixa eu tocar: o rock n’ roll macapaense na década perdida (1980-1985)
Abstract: This work aims to investigate the nuances of rock n' roll, in the city of Macapá, in the period
comprising the final years of the Military Dictatorship (1980-1985). As a Federal Territory, the
sociability existing in this space is limited, sometimes through the public administration model,
sometimes through the repressive apparatus of the State. It is intended to analyze the songs produced by the macapaense’s artists, through their lyrics, attached to the processes forwarded to the Departamento de Censura de Diversões Públicas (SCDP), referring to records of
compositions by macapaense’s musicians. Thus, it is intended to establish in what ways the Military Dictatorship had its performance in the eighty Macapá, in order to understand the models of sociability among the participants of musical sets linked to rock n' roll, using comparative analyses between the songs of these artists and the songs produced by names of the musical movement known as “Jovem Guarda” in the 1960s.0017-07-13T00:00:00ZProdução audiovisual indígena - povos do Amapá e norte do Pará: fortalecendo identidades e territórios (1986 - 2019)http://repositorio.unifap.br:80/jspui/handle/123456789/7752022-06-20T12:17:24Z0025-01-10T00:00:00ZTítulo: Produção audiovisual indígena - povos do Amapá e norte do Pará: fortalecendo identidades e territórios (1986 - 2019)
Abstract: This research seeks to carry out a survey and investigation of the audiovisual productions of the indigenous peoples of Amapá and Northern Pará, from 1986 to 2019. Recognizing the historical contexts in which they are inserted, the research raises data on non-indigenous productions up to 1995, passing through first film school project implemented in the Wajãpi indigenous land, until the peoples appropriated the tools. From 1995 to 2019, productions with indigenous peoples in the construction process are presented, reflected in the formation of indigenous audiovisual collectives, such as the Karipuna, Galibi-Marworno and Wajãpi. The survey shows data tabulation with information about the videos, ending with the textual characterization of some works, presenting notes on the use of these materials in indigenous and non-indigenous education with contributions to the teaching of history.0025-01-10T00:00:00ZPercorrendo rastros de uma história silenciada: os capuchinhos lombardos em Macapá 1990-2000http://repositorio.unifap.br:80/jspui/handle/123456789/7742022-06-20T12:16:30Z0018-10-12T00:00:00ZTítulo: Percorrendo rastros de uma história silenciada: os capuchinhos lombardos em Macapá 1990-2000
Abstract: The present study has the prerogative to discuss aspects related to the missionary presence of the Lombard Capuchins in the city of Macapá, the capital of the Amapá State between the years 1990 to 2000, for this we have the theoretical lenses of Cultural History and the Roman School of Religions. In this context, the aforementioned work has the precept of dialoguing theoretically with the sources collected in the Archive of the Province of Maranhão, Pará and Amapá, in this sense from an interpretive perspective we will reach the genesis of the Lombarda presence in Macapá.0018-10-12T00:00:00Z