A poética do estado de presença do ator no processo de montagem em criação coletiva do espetáculo "Entre quatro paredes"

Abstract

This article presents a theoretical-practical analysis of the States of Actor Presence in the contemporary scene, in the construction of the show "Entre Quatro Paredes"(-"Between Four Walls") - a free adaptation of the text of the French philosopher Jean Paul Sartre. The assembly process is characterized by and based on the Collective Creation and has as a methodological principle for the work of the actor, the use of Viewpoints and the Rasaboxes, as acting research models that subsidize the investigation in states of presence. The proposal aims to deepen the studies on presence, and in addition, - based on the theoretical framework - intends to share experiences of flesh and bone, sharing the practical assembly process, also focusing on the technical elements of the scene (scenic / scenographic space makeup and makeup, sound design and lighting) and how they interact and provoke the central axis of the laboratory research of the actor