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Últimas publicações

Educação ambiental nos livros didáticos de Língua Portuguesa: um olhar analítico nos livros do ensino Fundamental II do PNLD 2020
(UNIFAP - Universidade Federal do Amapá, 2023-09-03) RIBEIRO, Suzana Cardoso; MENDES, Adelma das Neves Nunes Barros; http://lattes.cnpq.br/9888614392602464; https://orcid.org/0000-0003-2057-483X
This article aims to present an analysis of the 6th grade Portuguese Language Textbook, in order to demonstrate how activities are developed with a view to Environmental Education (EA). The theoretical basis focused on official documents: National Curriculum Parameters (PCN/1998) and the National Common Curriculum Base (BNCC/2017), on the National Environmental Education Policy (BRASIL, 1999) and on the debate of other authors on the subject. among them Reigota. In the methodology, with a qualitative approach, with the technique of document analysis, it made it possible to verify how Environmental Education is presented in a collection of Portuguese language textbooks for elementary school II. The results showed that the proposals for activities that focus on the theme of EE present in the Book are in line with what is proposed by the official documents, however there are still merely illustrative propositions.
A representação simbólica do mal em a viagem de Chihico: uma interpretação através da trajetória da personagem Kaonashi
(UNIFAP - Universidade Federal do Amapá, 2024-07-19) GAMA, Maria de Nazareth Silva da; PEREIRA, Marcos Paulo Torres; http://lattes.cnpq.br/7467826617837279; https://orcid.org/0000-0001-7769-7940
This work is a study about the representation of evil in the animation Spirited Away (2001), observing in the plot the development of the character Kaonashi based on his relationship with Chihiro Ogino. To this end, we sought to understand through a symbolic character, how evil is constituted in the work by analyzing the elements that demonstrate the aspects of bad moral and customs that influence the spirit9s freedom of choice, causing changes in its personality and behavior that transforming it into an aggressive monster, which, in contrast to Chihiro's kindness and good use of her free will, needs to follow a path of redemption so that it can return to its passive state. Besides, this research was based on the studies of Paul Ricoeur (1988, 2013), who discusses both the symbolic language of evil and evil as a cause of suffering in the human experience; and also on the work of Saint Augustine (2021), who discuss how the misuse of free will is related to the existence of evil. Furthermore, some concepts from the work of Jean Chevalier and Alain Gheerbrant (2001) were also incorporated into this analysis, as they expose the deep character of symbolic language, covering the most diverse meanings of the symbol. As such, this research discusses some aspects of the origin of evil present in Hayao Miyazaki's film production as they integrate propositions that accompany human beings throughout their lives, requiring them to make different readings of their surroundings in order to understand their path in this world and the consequences of their choices in their becoming.
Um estudo lexical sobre o campo semântico “fauna” nos dados do Atlas Linguístico do Amapá
(UNIFAP - Universidade Federal do Amapá, 2024-01-17) MELO, Letícia Lobo; PEREIRA, Lorem Carla Pontes; SANCHES, Romário Duarte; http://lattes.cnpq.br/1643553805315252; https://orcid.org/0000-0002-0571-303X
The present work aims to analyze the lexical variation referring to the semantic field “fauna” of Portuguese spoken in the State of Amapá. The research is based on the field of Dialectology, a linguistic science whose main objective is to identify, describe and situate the different uses in which a language diversifies, according to its spatial, sociocultural and chronological distribution (Cardoso, 2010), in addition to the method Geolinguistic that helps in mapping and identifying dialect areas. The work follows the same methodological proposal and parameters adopted by the Atlas Linguístico do Amapá – ALAP project (Razky; Ribeiro; Sanches, 2017), that is, we consider all 10 points of inquiry, according to the geographic density and historicity of each location; the 40 informants who responded to the Semantic-lexical questionnaire (QSL) (Comité, 2001). The analyzed data was organized using Excel spreadsheet software, phonetically transcribed, and then linguistic cartography was produced using CorelDraw graphic designer software. The analysis was carried out based on six lexical items belonging to the semantic field “fauna”: fruit bug; stump; guinea fowl; lame; leech and udder. With this, we identified a diversity of frequent lexical variants, proving the productivity of the study.
Éden, Adão e Eva: o florescer da identidade narrativa no épico "Paraíso Perdido", de John Milton
(UNIFAP - Universidade Federal do Amapá, 2023-12-22) FERREIRA, Geisy Rodrigues; PEREIRA, Marcos Paulo Torres; http://lattes.cnpq.br/7467826617837279; https://orcid.org/0000-0001-7769-7940
The goal of this study is to describe the process of identitarian construction of the characters Adam and Eve in the space of Eden in the work Paradise Lost, of the English poet John Milton, demonstrating the importance of intrigue to the construction of narrative identity. For this, it was adopted research of qualitative nature (Denzin e Lincoln, 2006) and of bibliographical research (Gil, 2016), followed up by analyses and interpretative descriptions about the text-object grounded by the theorical base selected. In this article, it was considered the guidelines postulates of Ramalho (2013, 2014), Gois (2016) e Sá (2010, 2014, 2016) for the characterization of the epic poem, the contributions of Ricoeur (1991, 1994) and Mora (2018), in what regards the tessitura of intrigue and its associations in the formation of the narrative identity, it was assumed the ricoeuriana perspective of this concept. The conclusion highlights that the formation of the identity of the characters are guided by the conduct cord of the intrigue operated by the actions, comprehended under space-time contexts, that reveal themselves the true roots of the constitution of the be that bloom in Adam and Eve in paradise.
Sem olhos”, os véus do gótico brasileiro
(UNIFAP - Universidade Federal do Amapá, 2024-01-29) SANTOS, Emanuela Oliveira dos; ARRUDA, Ana Paula Costa de; http://lattes.cnpq.br/6799850504687882; https://orcid.org/0009-0005-6501-5152
This article aims to inquire about a misunderstanding that has been continued for a long time: that Gothic literature is reduced to a single artistic expression which is Noite na Taverna by Álvares de Azevedo. This idea is a consequence of facts that happened during the creation of brazilian literature, which does not turn this research into something simple. Do not claim the existence of Fear Literature in Brazil leads us to question: what should be considered an element of fear? This proposal will show the pivotal role of a country where horror is also institutional. To answer the question and to achieve the paper’s goals the methodology adopted was the qualitative bibliographic research, exploratory, assisted by the method of Análise Literária by Massaud Moisés and other theoretical studies beginning with an overview of the elements that build this literary style, scientific articles and excerpts of the story Sem Olhos by Machado de Assis.