Canteiro de artes: uma proposta de arquitetura temporária

Abstract

The being work aims to present a temporary architecture proposal that dialogues with the artistic field, based on the concepts of the Franco-Swiss critic and architect Bernard Tschumi (1944-). Initially known for his deconstructive posture in postmodern architecture, his theoretical and architectural production reveals a greater complexity of ideas than just the formal "deconstruction" of the architectural object, introducing the questioning of the modernist premise form-function and establishing interfaces with other disciplinary fields, including art. The procedures employed include the literature review about the production of the author already translated into Portuguese and field studies (research, visit and interview) of some artistic and cultural equipment present in the city of Macapá. Architectural projects related to the artistic theme are considered as references that allow the spontaneous appropriation of space or assume a temporary character in its materiality. In turn, the proposal reverses the centralization of Macapá's artistic spaces and cultural facilities by locating the implantation area in a peripheral neighborhood of the city. And seeks to experience the limits of architecture (notion worked by the architect) with the field of arts presenting a possibility of questioning the permanent character of architecture bringing the premises of spontaneous appropriation and flexible uses.