Tribos urbanas: representação do rock neotribal na pós-modernidade

Abstract

This article aims to present a bibliographic and literary analysis of the urban tribes, mainly of rock style, in view of the representation of neotribal rock in post-modernity, highlighting the strands from the evolution of the style, Where there is a fragmentation and decentralization of late cultural identity in post-modernity. Seeking reference in postmodernity and supposedly in the underground scene, in a certain way, there is a re-reading of the rock movement and its musical subgenres before the Neotribalist identity. The urban tribes have their representation in post-modernity and a reconstruction of the identities around the rock, in accordance with the process of globalization and the media of mass communication, which makes individuals group themselves by an ideal type while adapting To the style under analysis. In a certain way, the history of rock is being grounded in a certain procedure, critically in the post-modern society, where the growth of the manifestation of the style.