O Biodrama e Rasaboxes no treinamento do ator: descobrindo diferentes estados de presença

Abstract

This research intends to describe an investigative procedure through practice conduced by me in a collaboration with other actors and researchers. The procedure hereby described contains some reflections about presence, which was experienced by the actors during the investigation, which brings an intersection of Biodrama, the theatrical genre, and Rasaboxes, the training method, both brought by Viviane Tellas and Richard Schechner. The contents of this research come from interpretations of the fellow writers: Constantin Stanislavski (1989, 1994), Eugenio Barba and Nicola Savarese (1995), and also Renato Ferracini (2000, 2003). This research aims, therefore, to reflect and amplify discussions on the areas of acting and theatrical interpretation.