Código (não)binário: o objeto técnico enquanto processo potencializador na criação cênica

Abstract

This article aims to contribute to studies focused on scenic creation – more specifically regarding the intermediate scene – understanding the technical object as an element that enhances its development. For this, the authors Gilbert Simondon, Fernanda Areias, Marta Isaacsson, Ludovic Duhem, Gabriela Monteiro, among others, will be of utmost importance in bringing light to terms and perspectives used here in the creative process of the body-media present in the autobiographical scenic experiment Code (No)Binary, carried out in the laboratory.